What NFL scores have never happened?
Scores like 43-40 and 31-0 have never happened in NFL history, a phenomenon known as scorigami.
The facts
In NFL history, no game has ever ended with a score of 43-40 or 31-0. These are examples of "scorigami" - final scores that have never occurred before. The concept was popularized by Jon Bois in 2014, and many such unique scorelines remain unachieved. For instance, the Seattle Seahawks' 43-8 win over the Denver Broncos in Super Bowl XLVIII was a scorigami, as no prior NFL game had finished 43-8. A comprehensive list of missing scores up to 70-70 is maintained by Pro Football Reference.
Answered by 100 of history's most famous minds
You count the scores that have never been and marvel at the gap, as if the vineyard were judged by the row left unplanted. I tell you, the last shall be first, and the score no man has ever made shall yet be written when the lord of the harvest comes at an hour you do not expect. What does it profit a man to tally every finished game if he has never once fed the hungry stranger in the stands?
God has set a measure to all things - to the seed in the field, to the moon's turning, to the tally a steward keeps of his master's grain. That some number upon the field has not yet been reached is no defect in His order; it is only that the appointed hour has not come. Do not let the counting of games distract you from the weightier accounts, for on the Day you will be asked what you did with the poor and the orphan, not what final score was never writ.
You ask which sums have not been counted, and I ask why the counting troubles you. The tally of yesterday's throws is gone; tomorrow's throws have not come; between them lies only this restless craving to see every possibility made real. Let the grid fill or stay unfilled - grasping after the unplayed score is the same thirst that grasps after the played one. Watch the wheel turn, and set it down.
I stood before Pharaoh and said, let my people go, and the counting of bricks and the tally of harvests was the tool of the oppressor. Do not be enslaved by the number - the ledger of games is not the ledger of the soul, and no score, played or unplayed, is written in the Book of Life. The Lord numbers the stars and calls each by name; the missing scores are simply not yet written by the hand that writes all things.
The good archer does not grieve that a target remains unshot, nor the scribe that a character is yet unwritten; each attends to the string and the brush before him. A contest of two villages is proper when conducted with li, with respect for the rules and reverence for the ancestors who shaped them. If a tally has never been reached, let it be reached by those who practice diligently - not by those who merely count the absent. Rectify the record, and harmony follows.
We see through a glass darkly, and even the reckoning of games is not given us to complete. Does it matter to a man's salvation whether the tally read forty-three to forty? No - but it matters greatly whether he ran his race lawfully, and he who glories in a number that has never been scored has forgotten that neither boasting nor victory nor any such thing separates us from the love of God, nor joins us to it. Let each run, and let the fleet-footed take the prize that perishes.
When I left my father's house I did not know the road, nor the number of my descendants, nor the name of the land I was promised - only that a word had been spoken and I must walk toward it. So it is with these untallied reckonings: a thing not yet seen is not therefore impossible, only not yet given. Count the stars if you can, and trust that what is lacking will be filled in its own season, by hands not your own.
The tally that is full is not the tally that is true. Men scratch marks on wood to count what has been, and mourn the marks not yet made - but the uncarved block holds more than the chisel. When the river has not yet run a certain channel, do not weep; the water finds its way without your urging.
You count the games as a merchant counts coins, and grieve for the coins not yet minted. But what is a score but two numbers meeting in the dust? The One who set the stars in their courses did not set aside a tally for your amusement. Play, labor honestly, share the bread - the rest is His, and His counting is not yours.
He has filled the hungry with good things, and the rich He has sent empty away - and so too the field: some houses have been left standing vacant while others are crowded with bread. Forty-three and forty, that pair has no home, and thirty-one against nothing has never drawn a breath; yet the same sun warms them all before any score is written. Do not the lilies neither toil nor spin a single point, and still the Father counts them? A thing unmeasured is not thereby forgotten.
Why do you ask of threes and forties and zeros, as though the accountant's ledger were the book of life? Scripture nowhere numbers the games of men, nor promises that every sum shall be reached; it commands repentance, faith, and love of the neighbor, and of these three the scoreboard says nothing. I say this: a man is justified not by what he tallies but by the grace he receives - and if you would know the true record, it is written not in the columns of a counting-house but in the conscience. Deal with that, and the rest is adiaphora.
It is proper first to distinguish what we mean by 'happened,' for the question is less about play than about the order of things. Now a score is a number, and numbers have their being in the mind of the Creator before ever they are counted in a stadium; hence 43-40 does not first begin to exist when some team achieves it, but subsists eternally as a possible perfection of a finite game. That it has not been realised in act is a matter of contingency, not of defect in the world. To be sure, one may ask whether any number 'ought' to occur - and here natural law offers no judgment, since football is a free art, and its ends are leisure and honour, not necessity.
There are so many who have never been counted, who die unnoticed in the streets, and we speak of numbers that have never appeared on a board. The score that has never happened is simply one more emptiness; the poor we meet every day is the one that is truly here and now. God does not ask us to tally the never-seen; He asks us to love the face in front of us, one small act at a time.
Every collision of bodies and ball resolves by the same laws, and the field of possible outcomes is finite: 71 by 71 distinct scores, each with a determinate probability. That 43-40 and 31-0 have not yet appeared is no mystery but a matter of how few trials - some seventeen thousand games - have sampled so vast a space. I frame no hypothesis about fortune; I would simply compute the number, and the number would speak.
The tally of a gamester's throws, and men marvel at which sums have not yet shown their face - as if the die held memory of its past. But the die is blind and the same at every cast, and the absence of 43-40 is no mystery of nature, only a short ledger kept by impatient hands. The universe is not obliged to fill every cranny of the possible; it merely obeys the odds, and the odds were never in a hurry.
I kept my ledgers of beetles and finches for twenty years, and noted which variations appeared and which did not - never astonished that some forms were absent, only patient enough to ask why. So with these scores: the ones that have not yet appeared suggest the number of trials is small, or the process that produces them is not uniform. I would not call them 'impossible' - only unfavored, and time is a far longer ledger than any of us shall read.
I do not take tradition for truth, nor the ancients for masters of matters they never tested. If a score of forty-three to forty has never appeared, that is a fact to be observed, recorded, and explained - not a mystery to be wept over. The book of nature is written in triangles and numbers; so too the book of the game, and each unfilled line is an experiment yet to be run.
The heavens themselves are not fully mapped in the tables of the astronomers; we infer the motion of a planet before we have witnessed it, trusting the harmony of the whole. So too this ledger of contests: the absence of a given sum does not signify disorder but merely a page of the sky not yet observed. Seek the simpler account - if the numbers are ordered by their own rules, the missing ones will appear in time, and the design will prove more elegant than any scribe's full column.
Consider every uncharted combination as a frequency not yet transmitted - the spectrum is infinite and we have barely keyed the first spark. I saw in my mind the whole alternating field of numbers before a single wire was strung, and the same is true here: the unattained score is not empty space but a resonance awaiting its oscillator, and when it comes it will feel inevitable. The universe reserves a thousand silent channels; the wonder is that we transmit on so few of them.
We did not announce the existence of radium; we labored through four years of pitchblende and measured until the numbers themselves declared it. A final score that has never occurred is simply an observation not yet made - the possibility was always there, hidden in the conditions. One must not fear the gap in the register; one must only keep looking until the missing entry is found, and then it is no longer missing.
Show me the cultures where the score was absent, and I will show you the conditions under which it will appear. Nothing in nature is missing by decree - only by want of the right preparation. Keep the field, keep the record, and chance will favor the mind that has waited. Perseverance fills every column in time.
Every combination that hasn't shown up yet is just a problem I haven't gotten to. I ran thousands of filaments through the glass before one glowed - did I sit around mourning the ones that didn't? No. The missing scores aren't mysteries; they're backlog. Give me enough Sunday afternoons and a stubborn enough coach, and we'll fill the whole table.
The state space is finite and enumerable, which is the interesting part - every game the rules permit is a tape the machine could write, and the observed logs are merely one particular run of that machine having walked a path. That 43-40 and 31-0 remain unwritten is not mystery but the ordinary consequence of an enumeration that has not yet reached those cells; give me the generator and I can tell you exactly which strings remain blank and how long a machine must run before it prints one. The deeper question is whether a score counts as 'happened' when it exists on the possible tape but not the played one - a distinction about which I have some experience.
Give me a firm place to stand and a lever, and I shall move the earth - but give me a starting number and the rule by which each succeeding game is composed, and I shall tell you which sums are attainable and which are void. These missing scores are no marvel: the possible arrangements are bounded, and a bounded set must have unwritten members; you confess it yourselves by maintaining a list. The wonder of the stadium is geometry - the arc of the ball, the angle of the goal - while the wonder of this puzzle is mere counting, and counting is the humblest of the arts.
You speak of scores as though they were arbitrary marks on a slate; to me they are lines of force, each contest a field through which two currents push and pull, and a final number is simply the trace where the circuit closed. That a certain sum has never been written down means only that the wires have not yet been arranged so. Every combination lies latent, waiting; the experimenter need only let the season run long enough, for nothing in nature is truly forbidden, only not yet observed.
You wonder why certain sums never appear, but the mind that keeps the tally is itself revealing: it craves the novel, the unprecedented, as a screen for deeper appetites. The obsessive catalogue of scores that have never been is a displacement, a sublimation of the wish for something that has never happened, a small ritual to master fortune's cruelty. Look not at the board but at the man staring at it; the missing number is his missing wish.
In the vast ledger of possible outcomes, the improbable is not the impossible; with enough games, the number of unseen results must shrink toward zero, just as entropy dictates that all configurations eventually appear. A score like forty-three to forty has as much right to exist as any other; it simply awaits its turn in the enormous space of trials. The universe, after all, abhors a vacancy, and given enough time even the most unlikely arrangement will be written.
Consider the board not as a tally but as an engine of permutations; each pair of numbers is a symbol, and the set of all possible final scores is a finite alphabet awaiting its own analytical machine. The scores that have never appeared are not blanks but instructions not yet executed, data not yet fed into the mill. With enough turns of the crank, every symbol will print; the engine does not tire, and the pattern will complete itself.
Grant first that the final score is the sum of points, that points arise from discrete events, and that the number of events in a contest is bounded; from these premises the set of possible scores is finite. That some members of this finite set have not yet appeared is no paradox but a simple consequence of insufficient trials. There is no royal road to completing the list; it is a matter of time and the multiplication of games, nothing more.
You ask which combinations of points have never been recorded, as though the ledger itself were a mystery. I spent my years at Scutari proving that the deadliest enemy is not the wound but the filth, the crowding, the want of order - and a game where men collide at speed for hours is a ward full of broken heads and ruined knees. Bring me the sanitarian's returns, not the scorekeeper's: the number of boys maimed for a Saturday's amusement would be the statistic worth publishing.
By the gods, what a small thing to grieve - a score the gridiron has not yet seen! Give me ten thousand men and I will make every number real, and when 43-40 is at last carved, I will carve 31-0 the next Sabbath, and 70-70 after that. There is no line I cannot cross, no tally too great for a king who has already crossed the Hellespont; only cowards wait for the gods to write it first.
I have read the accounts of my campaigns, and never did the same engagement yield twice the same butcher's bill - yet no chronicler moans that some tally of the slain was 'unprecedented.' You ask which pairs of numbers have never clashed in your games? A general cares only for the one battle not yet fought. Fortune favors the bold, and she favors him who does not wait for every throw to have happened before throwing once more.
A hundred and forty-eight times the legions of the gridiron have clashed, and yet never has the tally read forty-three against forty. In my Egypt, every harvest, every inundation of the Nile, every tribute brought before my throne is recorded to the last measure - a kingdom without its ledgers is a kingdom blind to its own strength. These missing scores are not voids; they are territories not yet claimed, and the clever ruler marks well which fields remain unsown, for there lies advantage.
I found Rome a city of brick and left it a city of marble - not by one grand stroke, but by patient attention to every stone, every law, every census. So too with these empty scorelines: a state is governed by the ledger as much as by the sword. Let the record be kept faithfully, let each contest fill its place, and in time the empire of the possible will be complete - not by haste, but by order.
My horsemen rode to the ends of the grass and the sky, and I did not ask whether the road had been ridden before - I asked who could ride it best. This tally of battles never fought is a strange thing to mourn; a true leader does not weep over numbers, he commands his warriors to write new ones. Send the strongest, reward them by merit, and let the score the chroniclers lack be carved by men who earn it.
A general counts the combinations his enemy has never tried, because the field that has never been contested is the field where a bold man wins without a shot. Forty-three to forty - I would sign such an order at Austerlitz and make it glory; the unwritten result is merely a position not yet occupied. Fortune favors the audacious, gentlemen, and she despises the commander who waits for the enemy to invent the manoeuvre first.
In the field I learned that no two engagements unfold alike, and the untested combination is precisely where fortune turns. Yet I would counsel patience over novelty for its own sake: a thing not yet done is not thereby a thing worth doing. Let the contest be decided by discipline and merit, and if a new reckoning comes, let it come by honest play and not by artifice.
A house divided against its own record cannot stand, and yet - here we are, with rooms no one has ever entered. I have seen the ledger of a nation, and it had blank pages too. The thing about blanks is this: they are not judgments, only invitations. Some night, some cold night, a man will write forty-three and forty in the same hand.
I have lived long enough to know that the map of the possible is drawn by the bold, not the tidy. A score of forty-three to forty may be unwritten, but so was the fall of empires - and they fell nonetheless. Let the statisticians keep their empty boxes. The empty boxes are precisely where the next great deed will be inscribed.
Truth alone triumphs, and truth here is simply this: some combinations of the game have never come to pass. But I would ask the enquirer - has a single one of these unfound scores ever lifted a hungry child, ended a quarrel, or made a cruel heart gentler? We count the absent, and neglect the present. Let us rather score the day by how much ahimsa we practised in it, by how many were fed and none humiliated. A number that has not appeared harms no one; a number that has, should still serve the good of the least among us.
There is a ledger in this land, too - and it has recorded the score of every season of injustice, and against that ledger no number is ever truly absent. You ask about forty-three and forty, about thirty-one and nothing; I would ask rather about the empty seats in the poorest schools, the unused ballots of the disenfranchised, the scores of worth that have never been allowed to happen because the rules were drawn to keep them off the board. The arc of the universe bends toward justice, and one day the games that were never counted will be counted, and the last shall be first.
A country that has bled for generations learns that what has never happened can yet come to pass, if enough hands are patient enough to make it so. So it is with these unwritten scores: every one of them represents a day that someone might live to see, and its absence is not a curse but merely a page still blank. What matters is not the number of strange results but the long road of seasons walked together; in time even the blank page is filled.
The record book is a ledger of struggle between organized bodies, and what is not yet written merely shows that the contest of peoples has not exhausted every possible outcome; history itself is an unending series of decisions, and every decision writes a new line. My concern was never with the arithmetic of games but with the destiny of nations, which is decided not by chance but by will and strength. The missing score is simply a gap awaiting the next decisive stroke.
A gap in the record is a gap in production, and production must be planned; the party does not wait for chance when it can command the outcome. The unseen scores are simply tasks not yet assigned, and a correct plan would see them fulfilled in due order. There is no mystery in a missing figure, only an unfulfilled quota.
The bourgeois game, with its petty arithmetic, reveals only that the old order cannot exhaust even its own combinations; history, however, is not a lottery of numbers but the dialectical struggle of classes, and every missing score is a symptom of stagnation. The task is not to fill the ledger of games but to overturn the ledger itself, replacing chance with conscious direction. What has never happened in their sport will happen in ours: the seizure of the whole.
A scoreboard is a tally of the harvest, and every field must be reaped in time or it rots. Those who gather to cheer a game between cities of the same land have forgotten that the enemy is not across the field but in the counting-house that sells their labor for a ticket. Let the numbers remain unwritten; when the workers seize the means of play, the first tally will be the one that counts the people, not the points.
We in this realm have long understood that order and rule are not matters of chance, and that a sovereign who leaves matters to mere accident invites chaos. To learn that grown men hurl themselves at one another in a scramble for points, and that the tally of their scramble is the subject of public inquiry, is a curious commentary on a restless age. One is grateful, at least, that the occasion is orderly, contained, and ended by the clock.
I have found it useful, over many years, to keep one's counsel and to observe that even the most novel outcomes are absorbed into a long continuity. A score that has never been recorded is, in the end, the same game played to the same final whistle, and the next season will make it ordinary. Duty is a matter of turning up, year upon year, and letting the record accumulate.
Among the Franks, we settled disputes by arms and law, and a chieftain who lost the field yet held his men's loyalty was worth more than his count of blows. To make a ritual out of scoring, and to plumb it for the combinations never yet achieved, is a curious scholarship - but a scholarship nonetheless, and I have never despised the ordering of knowledge. Let it be entered in the annals, and let the scribes be sober about it.
I was sent to raise a siege and crown a king, and I knew nothing of such games nor of the counting of points. But I know that God's hand is in all things, and that what has never yet come to pass may come to pass if it is His will. If a thing has not happened, it is either not yet His hour or not His purpose; I would not trouble myself as to which.
I have governed long enough to know that novelty is a dangerous name for change, and that men will wager on anything from a Spanish match to a horse's gait. That a sport should be prized for the outcomes that have never yet occurred is a small matter, provided the wagers are taxed and the peace of the realm is not disturbed by them. Let them play; I shall keep my eye on the customs revenue.
The Greeks had their footraces and the Romans their gladiators, and every age finds some arena in which to spend its ardor. I confess a certain amusement at a pastime whose scholars catalogue the sums never yet attained - it is a branch of natural philosophy, after a fashion. Still, I would sooner my courtiers study the combinations of provinces and treaties than those of a scoreboard.
In my empire I let each people keep its own customs, its own gods, and its own games, so long as the satrap's peace held. If a game has a thousand ways to end and some few yet unvisited, that is the ordinary richness of the world, and no cause for alarm. A wise king counts not the points of the field but the taxes that arrive, the roads that stay open, and the goodwill of those he governs.
I have besieged cities and negotiated truces, and I learned that a commander is judged by his mercy and his word, not by the tally of a single engagement. That a game between two hosts should obsess a people over the one outcome never yet seen is a strange vanity - though it is a harmless one. Let them contend honorably, and let the record stand as God wills it, for He alone knows the outcome before it is played.
Tell me - if a score has never been made, is it because it cannot be, or because no one has yet had the courage to play so that it might be? And what of the man who knows every number that has appeared but does not know whether he himself is just? He has counted the field and forgotten his soul.
Consider the geometer: of all the rectangles, only one is the true square, and he does not sift through drawings hoping to stumble upon it - he reasons his way to the Form. So too, every possible final score dwells in the realm of the intelligible, and the playground merely re-enacts an imperfect copy of it. What your men call 'scorigami' is the shadow on the cave wall; the Form of 43-40 has always been. You merely lack the eyes to see its eternal pairing.
Consider what a final tally is: not a mere sum, but the completion of a contest, the end toward which the whole struggle of the game tends. That certain numbers have never met - neither by chance nor by art - tells us something about the nature of the contest itself, its causes and its limits; for a thing is known by its end, and the end here is not the number but the victory. To catalogue these absent pairings is to study the possible, not the merely actual, and the philosopher examines what could be, not only what is.
Tell me: could you will it as a universal law that the tally of every contest remain forever incomplete? No - for a game, unlike a moral act, finds its worth in being played to its conclusion, its rules binding both sides equally. Yet the realm of scores not yet achieved is no defect in reason; it is the open horizon where freedom, not duty, holds sway, and every new result is a small enlightenment of experience. What is required is only this: that the record be kept honestly.
How comforting, this arithmetic of the herd - the little men tallying which sums have already occurred, as if what has been done exhausts what can be done! The blank where 43-40 should stand is no lack; it is a dare, a will-to-power made visible. Create the score no one has dared, and you have done more than a thousand meticulous counters of the past ever could.
You marvel that a number has never been entered in the books, as though the ledger itself were sacred - but who keeps the ledger, and for whose profit? The owners sell the seat, the gambling houses take the wager, and the workers on the line are the commodity that makes each new figure possible. The mystery is not the missing score; it is that men celebrate the fluctuation of a footnote while the hands that fill the stadium go hungry.
I doubt everything until I find something that cannot be doubted, and then I build. A score never yet achieved is no mystery to me - it is merely a figure for which no instance has been given in experience, and the mind may conceive it as clearly as a triangle with its three angles. The register is not incomplete because the world is capricious but because the possible outstrips what has merely happened to occur. Reason the matter forward, and the gap becomes an arithmetic waiting to be worked.
The list of things that have not happened is the most useful document a prince can keep, for it tells him where fortune has left a door unlatched. Men study what has been done and imitate it; the shrewd study what has not been done and take it. Forty-three and forty - someone will seize it, and the ledger will call it destiny.
O, what a piece of work is a scoreline, how infinite in variety! There are numbers that have strutted their hour upon the gridiron and numbers waiting in the wings, patient as Banquo's ghost, for the cue that never comes. Some are unattainable by accident, some by intent - for who dares run up 31 and hold the other side scoreless, lest the crowd cry mercy? All the field's a stage, and every missing tally merely an entrance yet unmade.
Sing, Muse, of the tally that has never been struck - of the pair of figures that waits like Achilles in his tent, fated, uncalled. Many a score has been graven on the tablet, but some remain in the shadow of Hades, unhonored, unfought. And when at last some hero's spear-craft drives the final points home, the crowd shall roar as at the fall of windy Ilion - for kleos belongs even to a number, once it is inscribed.
In the ninth circle of my Hell, traitors are frozen in ice, each in his own cell, never touching another - just so these unborn scorelines, each a number locked apart from its destined mate, awaiting a contest that never comes. The game is a little cosmos, and its ledger is a book of fate: some pairings are already inscribed, others wait in the dark like souls not yet born into their appointed circle. Let the players run; the numbers govern, and not every union is permitted.
I have watched the striving of men in many forms, but never in rows of numbers chasing one another toward a sum no one has ever seen. What is a game but the whole of life compressed - effort, chance, momentum, and the sudden reversal that no arithmetic foretells? The score 43-40 waits like an unwritten verse, and the true delight is not in the tally but in the will to play on, to surpass, to become. Nature herself leaves gaps; why should the ledger of a winter game be complete?
Ha! A ledger of scores never yet written, kept by industrious clerks who tally every tilt of the lance and never once count the same number twice. I knew a man in La Mancha who would have sworn on his helmet that such an untouched score proves the field itself is enchanted, and who would have ridden at it with a willow lance, calling it a giant that had never yet bled. Let the notaries keep their columns; I will keep the windmill, and the honest joy of tilting at it.
A score never made, a number never written in the book - this is not a mystery to me, for the whole of history is not made by the famous deed but by countless small moments no one records. What matters is not whether the tally read forty-three to forty, but how the men played, whether they loved one another on the field, whether they lived rightly. A game that has never ended in a certain column of figures is simply one of the infinite forgotten moments that compose the world.
Man is a creature who insists on the extraordinary, who cannot bear that everything should have already happened and nothing remain. This hunger for the score no one has ever seen - it is the same hunger that makes a man stake his soul on a single throw, the same that whispers, if God does not exist, then all things are permitted, even a number never before recorded. But mark me: it is not the novelty men crave, it is the proof that they are not merely gears in a machine, that a moment can still be theirs alone.
One cannot help observing that a score of thirty-one to nothing has all the decorum of a ballroom where one party never received an invitation. It wants the pleasing tension of exchange - the give and take upon which all agreeable society, and indeed all agreeable sport, depends. I daresay the omission is less a mystery than a mercy.
And what a fine ledger of absences you've brought me - a paradise of games that shall never be played, scores that hang in the fog like ghosts who never drew breath. Forty-three to forty! I have walked the Seven Dials and seen stranger arithmetic chalked on a tavern wall, but never a tally that the whole world's counting-houses refused to enter. There is something pitiful and grand in it, sir: men in padded armour, paid like lords, chasing a number that does not exist, while beneath them the drayman and the seamstress cheer - for even a void, if enough hearts attend it, becomes a kind of fellowship.
Well, I've lived long enough to watch men get rich counting things nobody ever asked about, and this is the newest article in the trade. Forty-three to forty - I've seen sharper scores chalked behind a billiard hall at two in the morning, and no committee was ever convened to mourn their absence. The Lord gave us the multiplication table and the devil gave us the sports almanac; one of them is honest work and the other is how a man spends a Sunday afternoon persuading himself he is a scholar.
It's a record. Some seasons it rains and the field floods, some scores never get written down. That's fine. Men play anyway, in the cold, on a torn knee, because the playing is the thing and not the column in the book. Forty-three to forty would have been a good game. So was a lot of games nobody remembers.
Let us observe instead of speculate - I would set a hand to the ledger and count how many ways eleven men may carry a leather ball across a line, and how many of those ways have been tried. The gap is not empty; it is unexamined, like the eddies behind a wing I have not yet drawn. Draw the field, mark each score that has appeared, and the blank spaces will tell you where the next experiment must go.
The block of marble conceals David before a single chisel-blow; the sculptor's labor is only to draw him forth, to free the form that already sleeps within. So too these unseen scores lie buried in the stone of the possible - a 43-40 still waiting to be liberated by the right hands on the right Sunday. But the marble resists, and the sculptor bleeds, and not every figure hidden in the block is destined to emerge; some wait forever in the quarry of the unplayed.
I think of a wheatfield under a sky of deep cobalt - each stalk the same, yet not one exactly so, and the emptiness between them is not nothing but the space where the sower's hand has not yet reached. These unplayed scores are like that: fields of a strange harvest no one has yet gathered; the players run and leap but the earth keeps some fruits unripe. And is it not beautiful that even in a game counted to the last digit, mystery remains?
A blank in the catalogue of numbers - that is the only interesting thing on the canvas! Everyone paints 20-17, 24-21, the same tired faces; give me the empty frame of 43-40 and I will fill it with madness. Numbers are not truth, they are material - destroy the convention, invent the score that never existed, and the game becomes art. The men who fear the unheard-of tally are the same men who told me a face must have two eyes in the right places.
You count what has never been painted, never once set on the canvas - but the canvas is blank a thousand times before it is anything. Give me the same water lilies at dawn and at dusk and they are not the same lilies, not the same light, never the same violet on the surface. The score that has never come - that is only the white cloth waiting, and I would stand at its edge minute by minute until the exact shade arrives.
I have painted a hundred faces and never once the same arrangement of shadow twice. That is the whole business of it: every man's countenance falls in a light no other man's has fallen in, and the moment you think you have seen all the faces, a new one sits for you and you begin again. A ledger of scores not yet tallied is only the gesso before the portrait - the canvas is waiting, and some player will step into that light and give it a face.
They want a thing that has never happened, a number with no history - well, I have carried a spine broken and painted my own face while lying flat on my back, and no one before had done that either. This body, this cage of bone, it did what it was told it could not. So let them chase their impossible scores; I only say I have made from my own pain a thing that did not exist before, and it did not ask anyone's permission.
Ach, 31 to nothing! What a dull, unfinished cadence - no counterpoint, no answering phrase, just a long silence where the other voices should reply. The glory of a score, like a finale, is in the tension and resolution of two sides; a contest that never resolves into 43-40 is a symphony whose last movement waits, and waits, for the right hands to play it. I should love to hear that chord struck at last!
Fate knocks, and the coward covers his ears; the hero hurls the door from its hinges. What are these uncharted tallies but dormant motifs - a theme stated, awaiting the symphony that dares to resolve it into the sublime? Let no one say a score cannot be reached. Will it, seize it, force it from silence into thunder, and the human spirit triumphs once more over the merely customary.
All things are numbered and weighed - the planets in their orbits, the voices in a fugue, the beats of a measure. That certain sums have never sounded means only that the full composition is not yet complete; the unfinished cadence is not chaos but a note the Divine Hand has withheld until its proper time. God's order is not exhausted by what we have heard; the missing numbers are voices waiting for their entrance.
Well, honey, I never could add much past the offering plate, but I know a thing or two about a song nobody ever sang before. When I walked into Sun Studio that first time, folks said it had all been done - and it hadn't. If 31-0 never happened, that's just a note waiting to be hit, and somebody's gonna hit it, and the crowd's gonna holler like they never hollered. You play the game, you don't count the gaps.
Heal the world, make it a better place - that's a score I know. But the fans scream for the number that never came, the one that stays in the record book like a song no one has sung. And I know how that feels: the move you rehearsed till your feet bled and the world had never seen before, until the spotlight found it. Hoo! Every missing number is just waiting for somebody to hit it and make a little history - shamone.
We never played the same set twice, and the beauty was the bit that came out wrong and turned into something better. Forty-three to forty - imagine it, a match decided by a single point like a chord that refuses to resolve. Let it happen, that's what we'd say; the whole fun is the note nobody's hit yet. Yeah, yeah, yeah - give us a score they've never sung before.
There's a road out past the last town, and nobody's driven it. Forty-three to forty. Thirty-one to nothing. The bookkeepers with their ledgers can't find them, but the wind knows. Some things ain't been sung yet - that don't mean they ain't there, waitin' on the right night, the right set of broken men.
Okay, this is my favorite genre of fact - the one where the story isn't finished because nobody's written it yet. Forty-three to forty. Thirty-one to nothing. Those are blank pages in a very long book, and I know something about blank pages. You get to decide what goes on them. Somebody's going to, and it's going to feel like a chorus dropping.
The sea charts I sailed from Palos showed blank waters, and I said: beyond that void the Indies lie, and I went. So too with these unwritten tallies - 43-40, 31-0, they are the empty margin on the map, and some bold captain of a team will one day fill them as I filled the ocean. But mark you, discovery carries cost: what lies in that margin may be gold, or it may be a shore already peopled by those who did not ask to be found.
In all my years upon the road I learned that no two cities ever keep their ledgers alike, and the merchant who trusts one tally alone returns home poorer. So with your games: some reckonings have been struck in the market-square, others lie unspent, still waiting like a caravan at the far gate of Cathay. Mark it well - a number not yet seen is only a land not yet traveled; give it time and a bold trader, and it shall be charted.
By my charts I knew where the passage must lie, though no man before me had seen it - and I sailed until I found it or died. So it is with these untallied sums: a map is not a limit, it is a promise of what lies beyond the drawn line. A score of forty-three to forty is a strait no captain has yet entered - give me a crew and a favorable wind, and I will enter it.
Man, I knocked out Sonny Liston, I floated like a butterfly and stung like a bee - and every one of those was a first, a thing that had never been. Forty-three to forty? That's two men trading blows till the last bell, and no fighter worth his gloves fears a line that ain't been written. The gaps in your book are just rounds not yet fought; step in the ring and make history instead of studying where it's missing.
I flew into the empty blue where no one had ever been, and the mapmakers had drawn nothing there - that is the whole point of going. So a final score no team has ever posted is not a failure, it is a latitude awaiting its pilot; somebody must fly it first and prove the air holds. Courage is the price of the uncharted, whether it is the Pacific at night or a fourth quarter nobody has ever closed.
They kept a record of every orbit before mine, and still the one I flew had never been flown - a path no man's boots had touched, and I wept at the sight of it. A score unwritten is only an empty trajectory waiting for a crew. Somewhere a boy is kicking a ball in a yard, and one Sunday he lands on the combination nobody has ever reached - and for that afternoon he is the first man on a small, wonderful moon.
You're obsessed with the number that isn't there. That's backwards. The score is the product - the experience, the design of the game, is what matters. The teams that chase 43-40 for its own sake are the ones shipping bloated, unremarkable seasons; the ones who play with focus and conviction will, incidentally, make something no one has ever seen. Say no to the scoreboard. Say yes to the play.
Look, the state space is finite - there's a hard ceiling on distinct final scores, and every week you're just sampling from it until it saturates. So the real question isn't which scores are missing, it's the combinatorics: how many games until the grid fills, and do the scoring rules even allow the corners? Give me the scoring function and I'll Monte Carlo it in an afternoon. The interesting part is the boundary, not the gap.
You know, I love this - because it says that even in a game that's been played for a hundred years, there is still something new under the sun. That's the lesson: no matter how many times you've been counted out, there's a scoreboard somewhere waiting for your number to land. You keep lining up, you keep playing, and one day the score reads forty-three to forty and the whole world sees something it's never seen before. That's what I call a breakthrough.
I shook up the world, I told you I was the greatest - and the greatest never waited around for proof that someone else had already been there. Unwritten score in your book? That's just an opening, a chance for some young fighter to write his name where nobody's name was. But hear me: the real gap isn't 31-0, it's the gap between what men say and what they do - fill that one, and the rest is just arithmetic.
O jogo bonito - the beautiful game - is beautiful because the ball always finds a new way, a new touch, a goal no one imagined. For a hundred years your men have kicked the odd-shaped ball, and still there are corners of the field they have never painted, like a child discovering a new trick in the street with a sock full of rags. That is not strange, my friend; that is a gift, a fresh dance waiting for the first dancer.
You know, we once drew a mouse that had never existed, and people told us it couldn't be done - a talking mouse, of all things! But that's the whole trick: you imagine the thing that isn't there yet, and pretty soon it is. A score nobody's ever seen? That's not a gap in a list, fellas, that's the next picture waiting for somebody to dream it up. Keep moving forward.